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In the ritual hall Julia spends days hanging from copper, then brass, then silver manacles. Six, no, nine of the women weave in and out of sight, sometimes whispering to each other, sometimes laughing, sometimes standing before Julia and silently mouthing words in a foreign language. Across from her the blue suits rustle against each other. Julia learns to catch bits of food thrown at her from across the room. Twice, no, three times a day one of the women brings her water in a stone bowl. A gold snake coils at the bottom. Sometimes the woman holds the bowl in front of her, and Julia has to bow her head and lap up as much as she can. Or the woman moves the bowl away just as Julia begins to drink. Or throws the water in her face. At other times she gently tilts the bowl for Julia. Once, as Julia drinks, she discovers that a live snake has replaced the metal one. The head rises above the water and Julia's own head snaps back so hard she would bang it against the wall if a blue hand wasn't there to cushion her. They shave her head. No, they comb and perfume her hair. They rub her with oils and smooth the lines in her face and neck, slapping her only when she tries to bite or lick the cool fingertips sliding down her face. Once or several times a day they take her down from the wall and force her to run the maze. The women surround the tiled circle, hitting the floor with sticks and trilling louder and louder until Julia misses a step or even falls, just outside the gold spiral. When she's failed they yank her out of the maze and hold her arms out like wings as they press the tips of her breasts into champagne glasses filled with tiny sharp emeralds. On the day Julia completes the maze the women dress her in shapeless black overalls and heavy boots. They smuggle her out of the country to an island where a house of white stone stands on top of a hill covered in pine trees. The women strip Julia. With their sticks they drive her up a rock path. The door opens and a cool wind flows from the darkness. A woman steps out. Instead of blue her suit gleams a deep red. It covers the whole body, including the face, except for the eyes, the nostrils, the mouth. Her muscles move like a river running over stone. Her name is Burning Sky, and she was born in Crete six thousand years ago. When she walks the air flows behind her like the sundered halves of a very thin veil. * One night, after a fight, Louise kicked the wall and ran from the house. The next morning, the doorbell woke me at 6:00. Frightened, I looked out the window before I would open the door. There stood Louise in a rough zipper jacket and black turtleneck sweater. She saw me and waved a pair of rubber boots. Afraid she planned to kick me I didn't want to let her in but I couldn't think of how to disconnect the doorbell. She'd begun to shout, too. "For heaven's sake, Maggie, open the fucking door." Any moment the police would show up. While I buttered toast and boiled water Louise announced our plans for the morning. We were going fishing. Dress warm, she said, and gave me the spare boots she'd brought for me. I had to wear two pairs of socks, and my feet still slid around. In her pickup truck I tried to sleep, despite Louise's cheerful whistle. But when we got all our gear and bodies in a rowboat out in the Sound, it turned out that Louise didn't plan to fish at all. "Now, goddamnit," she said, "you can't whine and get away from me. I'm not taking this boat back to shore until you come and I can feel it all over my fingers." "What?" I said, ruining her powerful speech. Her meaning became clearer as she began to crawl towards me. She scared me but she made me want to laugh too. It reminded me of the time Ralph had locked us in a motel room with a bottle of wine, a bag of marijuana, and a pink nightgown. At least motel rooms are comfortable. Maybe Louise considered rowboats romantic. I decided I better hold my face straight. "You rapist prick!" I shouted, and tried to grab an oar to threaten her but couldn't work it loose from the lock. I snatched the fish knife and held it with both hands in front of my belly. "Keep away from me," I warned. "Put that down." Louise said. "You'll hurt yourself." "I'll hurt you, you prick." "Don't call me that. You don't know how to use that." "The Goddess will show me." Apparently this all became too much for her. "Shit," she said, and turned around to grasp the oars for the pull to shore. I sat slumped over and shivering. My hands clenched around the knife. * In a ceremonial hall hung with purple silk and gold shields the women tattoo a four-pronged spiral in the hollow of Julia's neck. They present her with a blue suit. With four others she returns to New York on a cruise ship secretly owned by the Free Women. They wear disguises, like the Phantom, when he would venture out as Mister Walker, wrapped in a trench coat and slouch hat, to rescue his beloved Diana from Nazi kidnappers. Despite the women's clever tricks someone on the boat recognizes them. A television anchorwoman, or maybe a rightwing politician. This woman once served Burning Sky, but disobeyed her leader on some assignment. Now she comes to their suite of cabins and begs the Free Women to readmit her. They play with her, attaching small intricately carved stone clips all over her skin. She suffers silently, only to have them announce she had forgotten how to break through the wall. They can do nothing for her. She goes away, later becomes Prime Minister. |
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